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What the Press is Saying About Willy Porter

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I found Willy on iTunes six years ago. Went to see him live and joined the converted.
Al Kooper (Bob Dylan/Blood, Sweat & Tears)


“Bank” is Porter at the top of his game…
Milwaukee Journal Sentinel


Willy Porter is perhaps best known as a down tuned six string wonder, but as a singer and a writer, and as a showman, he merits equal regard.


Thank goodness he doesn’t play the flute.
Ian Anderson of Jethro Tull


Porter is a dazzling acoustic guitarist with a moody baritone…
The Washington Post


Willy plays rhythms that make me want to crawl inside his guitar and sleep there forever.
Tori Amos


Willy Porter captures the street corner ethic of acoustic performance perfectly.
The Village Voice


…one of the smarter, more durable albums of grown-up music we’re likely to get this year.


Porter accentuates well – rendered tales with spit – fire – percussive acoustic guitar strumming and fiery color – chord picking.


…[How To Rob A Bank] will remain timely for years to come…
The Onion


[Willy Porter] can captivate an audience as completely as can an entire rock band.
Washington Times


…A master of the acoustic instrument.
CMJ New Music Report


A genre-defying maverick.


If you have never heard of this guy before, you are in for the musical discovery for a lifetime…” and “…he can still play guitar perhaps greater than anyone else on the planet.
Listen To This


Porter plays intelligent, groove — heavy folk with hearty abandon
Santa Fe New Mexican


With his exquisite, tranquil guitar work, Willy Porter could easily astonish an audience without singing one note. His ability to engage the audience with his personality and intellect raises Porter from the level of guitar wonk into the realm of masterful performer.


…one of the most consistently mesmerizing discs of his notable career.
Bill’s Music Forum


Willy Porter is a relaxed and fearless performer who’ll entertain you as well as move you.
Acoustic Guitar Magazine


As usual, you get a hell of a lot for your listening pleasure with Willy Porter.
Folk & Acoustic Music Exchange


An acoustic picker with the Olympian speed of Leo Kottke bolstered by rootsy vocals and twisting, offbeat lyrics that evoked John Hiatt…
Boston Globe

Willy Porter – Current Bio

pdf_buttonDownload Current Biography [184k PDF][updated January 2015]

Searching for the shaman that lives inside the guitar has led Willy Porter on a musical and personal odyssey spanning over two decades, 10 albums, and multiple continents. His journey remains defined by an independent drive to evolve as a musician and human, affording him the freedom to create the next song on his own terms. Equally accomplished as a guitarist, singer, and songwriter, Porter’s songs weave a universal perspective about the questions, struggles, and triumphs of human existence. His live shows are guitar-driven events–equal parts grit, soul, and muscle–that are electrifying, dynamic, and wholly original in the way that Porter’s voice blends and fuses with his virtuoso fret work.

A largely self-taught musician, Porter began treating audiences to his brand of guitar playing and wry storytelling in the late ‘80’s while living in Madison, Wisconsin. In 1990, he released his first full-length independent album, The Trees Have Soul, and the touring life has flowed steadily ever since. Porter has literally logged millions of miles across America, Canada, the UK, and Europe, touring solo, as well as with various incarnations of the Willy Porter Band and in support of artists like Tori Amos, Paul Simon, Jethro Tull, Sting, and Jeff Beck.

Porter’s breakthrough album, Dog Eared Dream, was released in 1994, and the song “Angry Words” quickly became a staple at the burgeoning AAA radio format. This led to a major label deal with BMG/Private Music in 1995. Unfortunately, Private was dismantled by BMG just as Porter was preparing to release his follow-up. With contractual freedom in 1998, Porter quickly signed with the San Francisco-based label Six Degrees. There he released three albums beginning with the studio gem, Falling Forward (1999), produced by multiple Grammy-winner Neil Dorfsman (Dire Straits, Sting). The eponymous Willy Porter (2001) followed featuring great guest performances by Ian Anderson from Jethro Tull and Tony Levin. His fan-favorite solo disc, High Wire Live (2003) was co-produced with Grammy-winner Ben Wisch (Marc Cohn, Shawn Colvin).

In 2005 Porter left Six Degrees and launched his own imprint, Weasel Records. Together with longtime keyboardist/ collaborator Dave Adler, Porter produced the atmospheric album Available Light in 2006. His work with Guild & Fender guitars over the next several years would result in the manufacture of the “Willy Porter Signature” acoustic guitar. Porter then took time to record and produce singer/songwriter Natalia Zukerman, on her whip-smart Weasel debut, Brand New Frame (2008). Porter released his next disc, How to Rob a Bank in 2009, the heavily Americanaflavored record featuring the contributions of the LA-based quartet, Raining Jane. Bank was followed with a live disc recorded with the Carpe Diem String Quartet in (2010). This collaboration produced a gorgeous EP featuring several of Porter’s most enduring tunes (“Breathe,” “Paper Airplane,” “Watercolor”), elevated and reinterpreted against a backdrop of lush string arrangements. In 2011, Porter produced the second Weasel release for Natalia Zukerman, the driving Gas Station Roses. A partnership with Milwaukee-based singer/ songwriter Carmen Nickerson resulted in the album, Cheeseburgers and Gasoline (2013). This spartan production illuminates themes of life-longing and relationship repair, all while balancing the dream of self-actualization on the axle of a carnival’s Tilt-a-Whirl. The record also includes Porter’s brilliant cover arrangement of Peter Gabriel’s “Digging in the Dirt.”

On his 2015 release, Human Kindness, Porter incorporated all of his acoustic, electric, and multi-string chops to bear in service of a great collection of songs. This album is a driving, tuneful return to the pop sensibilities of his best work that also showcases Porter’s growth as a writer, musician, and producer.

In addition to making a life in music, Porter finds ways to make an impact on local and international levels. He is an active supporter of Advocates of Ozaukee, a shelter and treatment facility for victims of domestic violence and abuse in Mequon, Wisconsin. His annual benefit concerts have raised more than $90,000 for this organization to date. Porter also gives his time and talents to helping behind the scenes at First Stage, a world-class Milwaukee-based children’s theatre company. His recent involvement with Kids4Peace International works to bring kids from Palestine, Israel, and the Middle East together with American kids to work towards a dialogue of mutual respect, tolerance, and understanding in hopes that the next generation will have leadership comprised of strong, peaceful voices.

Willy Porter lives in Milwaukee, Wisconsin with his wife, two children, and their Beagle/ Terrier, Charlie.

Bonfire to Ash -Current Release Bio

Porter Nickerson are a duo that embody the best of what live music has to offer: heart, grit, and the kind of raw musicianship that transforms listeners into long-time fans. Willy Porter’s searing finger-picking guitar style deftly blends with Carmen Nickerson’s lush vocals to create an unforgettable sound that resonates long after the last chord fades.

A virtuoso guitarist, Porter has more than ten albums to his catalogue including Dog Eared Dream (1994) which yielded the top 10 AAA single, “Angry Words.” He has shared the stage with rock and pop luminaries such as Jeff Beck, Sting, Paul Simon, Tori Amos and Jethro Tull. Nickerson is an accomplished Jazz, R&B, and Rock vocalist from the Midwest who has also contributed her talents to studio and voice-over work in L.A. The pair met following the release of Porter’s 2010 album How to Rob a Bank and, finding their musical sensibilities a quick match, began collaborating soon after. The result has been a rich experience of performing and writing: Nickerson’s vocals feature on the yearning “Iowa Sky” from Porter’s 2013 EP Cheeseburgers and Gasoline and on the song “This Train” from 2015’s Human Kindness. In 2016 the pair were featured music guests on NPR’s A Prairie Home Companion, performing on one of Garrison Keillor’s last broadcasts. With more than five years of stage and studio work under their belts, both Porter and Nickerson were excited to fuse their singular talents on a new album of original co-writes: Bonfire to Ash (2016), produced by Grammy winning producer Ben Wisch (Marc Cohn, Jonatha Brooke) and featuring Bassist Zev Katz and Drummer/Producer Ben Wittman.

The songs on this record chart experiences that bridge the intimate with the universal, recognizable in the thirsty shoots of new love (“Old Red Barn”) and in the urgency to act before love skids out of reach forever (“Loving On Her Mind”). Porter and Nickerson borrow from their strong stage chemistry to render the same kind of musical conversation that unfolds in performance within a studio setting. The result are tunes like the aching “If You Stay,” which travels the arc of a relationship born, lost, and tentatively rediscovered and “Earthquake,” a rockin, playful plea for release from the exquisite tension of romance perched on the edge of becoming something else. This dialogic style broadens to consider the connections and values forged in the communities we call home (“Living Proof”) and in the responsibility we have to the planet that gives itself to house us (“Plant A Garden”). Bonfire to Ash compiles candid snapshots of the human journey, exposing ideas such as hope, regret, love, loss, and connection that remain immutable against time, history, or place.